Selected

Lotte Hoek — “Historical Vertigo: Art, Censorship, and the Contested History of Bangladesh,” in Freedoms of Speech (University of Toronto Press, 2024).
https://www.degruyter.com/document/doi/10.3138/9781487552978-018/html

Mark Rappolt — “Seeing in the Dark: Busan Biennale Review,” ArtReview, 2024.
https://artreview.com/busan-biennale-2024-seeing-in-the-dark-review-mark-rappolt/

Haruko Kumakura — Review of BAN🤍ITS, Glean 5, 2024.
https://glean.art/issues/glean-5/busan-biennale

Het Parool — “Kunstenaar Omar Adnan Chowdhury houdt van ontregelen, zoveel is zeker,” 2022.
https://www.parool.nl/kunst-media/kunstenaar-omar-adnan-chowdhury-houdt-van-ontregelen-zoveel-is-zeker~bf1ac5b4/?referrer=https%3A%2F%2Fwww.google.com%2F

Rasheek Tabassum Mondira — “Ke ba kahara's conceptual performance ‘Faydabad To-Let’ impresses,” The Daily Star, 2020.
https://www.thedailystar.net/arts-entertainment/news/ke-ba-kahara-presents-fayedabad-let-2014373?fbclid=IwY2xjawOTgBpleHRuA2FlbQIxMQBicmlkETFYY2tKMFJCODc4U3A5Rm51c3J0YwZhcHBfaWQBMAABHgP7GuaMvL9kvoWVfDwc2jTbuQMe9o9ke_zDyrSAuaJaHDeFNVXTuvJtA_Id_aem_N7ohAiGI7C3kOIFatFzaHA

Zahangir Alom — “Faydabad To-Let: An architectural performance evoking modernist nostalgia,” The Business Standard, 2020.
https://www.tbsnews.net/glitz/faydabad-let-architectural-performance-evoking-modernist-nostalgia-175810